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Autobiography Of Henry Taylor, 1800-1875, Vol. 1 Of 2: 1800-1844

The official catalog accompanying the major retrospective at MoCA LA: Henry Taylor creates a grand pageant of contemporary Black life in America\n\nSurveying 30 years of Henry Taylor’s work in painting, sculpture and installation, this comprehensive monograph celebrates a Los Angeles artist widely appreciated for his unique aesthetic, social vision and freewheeling experimentation. Taylor’s portraits and allegorical tableaux—populated by friends, family members, strangers on the street, athletic stars and entertainers—display flashes of familiarity in their seemingly brash compositions, which nonetheless linger in the imagination with uncanny detail. In his paintings on cigarette packs, cereal boxes and other found supports, Taylor brings his primary medium into the realm of common culture. Similarly, the artist’s installations often recode the forms and symbolisms of found materials (bleach bottles, push brooms) to play upon art historical tropes and modernism’s appropriations of African or African American culture. Taken together, the various strands of Taylor’s practice display a deep observation of Black life in America at the turn of the century, while also inviting a humanist fellowship that pushes outward from the particular.\nRaised in Oxnard, California, Henry Taylor (born 1958) took art classes at Oxnard College in the 1980s and studied under James Jarvaise, who became a mentor. From 1984 through 1995 Henry Taylor worked as a psychiatric technician at Camarillo State Mental Hospital (a facility that is now California State University Channel Islands) while concurrently attending the California Institute of the Arts (CalArts) in Valencia, where he obtained his Bachelor of Fine Art degree in 1995. Taylor has had institutional solo exhibitions at MoMA PS1 and the Studio Museum in Harlem. He lives and works in Los Angeles.

The official catalog accompanying the major retrospective at MoCA LA: Henry Taylor creates a grand pageant of contemporary Black life in America\n\nSurveying 30 years of Henry Taylor’s work in painting, sculpture and installation, this comprehensive monograph celebrates a Los Angeles artist widely appreciated for his unique aesthetic, social vision and freewheeling experimentation. Taylor’s portraits and allegorical tableaux—populated by friends, family members, strangers on the street, athletic stars and entertainers—display flashes of familiarity in their seemingly brash compositions, which nonetheless linger in the imagination with uncanny detail. In his paintings on cigarette packs, cereal boxes and other found supports, Taylor brings his primary medium into the realm of common culture. Similarly, the artist’s installations often recode the forms and symbolisms of found materials (bleach bottles, push brooms) to play upon art historical tropes and modernism’s appropriations of African or African American culture. Taken together, the various strands of Taylor’s practice display a deep observation of Black life in America at the turn of the century, while also inviting a humanist fellowship that pushes outward from the particular.\nRaised in Oxnard, California, Henry Taylor (born 1958) took art classes at Oxnard College in the 1980s and studied under James Jarvaise, who became a mentor. From 1984 through 1995 Henry Taylor worked as a psychiatric technician at Camarillo State Mental Hospital (a facility that is now California State University Channel Islands) while concurrently attending the California Institute of the Arts (CalArts) in Valencia, where he obtained his Bachelor of Fine Art degree in 1995. Taylor has had institutional solo exhibitions at MoMA PS1 and the Studio Museum in Harlem. He lives and works in Los Angeles.

This Tilted World Is Where I Live gathers one hundred poems by Henry Taylor, drawing on over fifty years of published work by this witty, adept, and vital literary voice. Seventy-five poems appear from his previous books, spanning from The Horse Show at Midnight (1966) through The Flying Change (1985), which won the Pulitzer Prize in Poetry, to his latest volume, Crooked Run (2006). The book opens with twenty-five recent poems collected for the first time.\n\nFrom the beginning, Taylor has worked in both traditional and more open forms, avoiding rigid allegiance to either mode as he has responded to the world around him, from the horse farm in Virginia where he grew up, to the deserts around Santa Fe, New Mexico, where he and his wife Mooshe have lived for the past several years. \n\nIn tones and moods ranging between grief and explosive hilarity, these poems confront a consistent set of themes. Taylor has long been drawn to considerations of what we mean by loving one another, how violence can intrude without warning into innocent lives, and how the things we have always seen can change with the passage of time. Gwendolyn Brooks once wrote that he \"\"is a truly important poet. Familiar and strange.\"\" This Tilted World Is Where I Live offers an invaluable encapsulation of Taylor's knack for crafting poems that are not only fun but also instructive in the art of paying attention- of which he is a master.

This Tilted World Is Where I Live gathers one hundred poems by Henry Taylor, drawing on over fifty years of published work by this witty, adept, and vital literary voice. Seventy-five poems appear from his previous books, spanning from The Horse Show at Midnight (1966) through The Flying Change (1985), which won the Pulitzer Prize in Poetry, to his latest volume, Crooked Run (2006). The book opens with twenty-five recent poems collected for the first time.\n\nFrom the beginning, Taylor has worked in both traditional and more open forms, avoiding rigid allegiance to either mode as he has responded to the world around him, from the horse farm in Virginia where he grew up, to the deserts around Santa Fe, New Mexico, where he and his wife Mooshe have lived for the past several years. \n\nIn tones and moods ranging between grief and explosive hilarity, these poems confront a consistent set of themes. Taylor has long been drawn to considerations of what we mean by loving one another, how violence can intrude without warning into innocent lives, and how the things we have always seen can change with the passage of time. Gwendolyn Brooks once wrote that he \"\"is a truly important poet. Familiar and strange.\"\" This Tilted World Is Where I Live offers an invaluable encapsulation of Taylor's knack for crafting poems that are not only fun but also instructive in the art of paying attention- of which he is a master.

Honor Titus (born 1989) is an American artist who lives and works in Los Angeles. A self-taught painter, Titus is deeply influenced by his creative past as a musician and poet. Titus’s paintings, often suffused with a sense of romance, are embedded with nostalgic references to a simpler time and feature dark, luminous jewel tones. His works often depict faceless figures in minimal urban landscapes, reflecting the isolation that stems from metropolitan anonymity. Titus’s simplified compositions and striking patches of colour are inspired by Les Nabis while his flat, decorative surfaces echo the graphic hyperrealism of artists inspired by American advertising, such as Alex Katz.\n\nThis, the artist’s first trade monograph, presents new and recent works, including a body of work presented in his 2022–3 solo exhibition at Timothy Taylor, London, Bourgeoisie in Bloom. Here Titus expands on the themes of ritual, class and nostalgia that have characterised previous work, incorporating debutante balls in which young adults are presented to society. Favouring bright panels of colour, Titus evokes traditions of cultural formality, using precise brushwork to delineate details of old-world glamour such as the tilt of a bow tie and the line of a ballgown.\n\nA foreword by artist Henry Taylor considers his first encounters with Titus’s work and their continuing friendship. Taylor describes the biographical factors that inform the subjects Titus paints, including music, referencing the first solo show of the artist’s work held at Henry Taylor Gallery in Chinatown, 2020. A text by Durga Chew-Bose brings the themes of nostalgia and memory into the field of discussion. Anecdotes relayed to Chew-Bose bring forward real experiences in relation with his work. The artist’s own words illuminate filmic, musical, photographic and romantic influences on the paintings, while dwelling, lastly, upon his studio space. Klaus Ottmann’s text reflects philosophically and sociologically on Titus’s oeuvre, bringing key art historical reference points into the discussion. Ottmann’s contribution draws connections to key works of literature and criticism that contextualise his work.\n\nPublished following the exhibition Honor Titus: Bourgeoisie in Bloom at Timothy Taylor, London, 17 November 2022 – 14 January 2023, the publication has been edited by Chloe Waddington, designed by Joe Gilmore, and co-published in 2023 by Timothy Taylor and Anomie Publishing, London.\n\nHonor Titus (b. 1989, Brooklyn, NY) is a self-taught American artist who lives and works in Los Angeles, California. Recent solo exhibitions include Honor Titus: Bourgeoisie in Bloom, Timothy Taylor, London, United Kingdom (2022–3); Spotlight: Honor Titus, The FLAG Art Foundation, New York, NY (2022); Honor Titus: For Heaven’s Sake, Timothy Taylor, New York, NY (2021) and Honor Titus: Goodness Gracious, Studio Henry Taylor, Los Angeles, CA (2020). His work has been part of numerous group exhibitions, including IRL (In...

Honor Titus (born 1989) is an American artist who lives and works in Los Angeles. A self-taught painter, Titus is deeply influenced by his creative past as a musician and poet. Titus’s paintings, often suffused with a sense of romance, are embedded with nostalgic references to a simpler time and feature dark, luminous jewel tones. His works often depict faceless figures in minimal urban landscapes, reflecting the isolation that stems from metropolitan anonymity. Titus’s simplified compositions and striking patches of colour are inspired by Les Nabis while his flat, decorative surfaces echo the graphic hyperrealism of artists inspired by American advertising, such as Alex Katz.\n\nThis, the artist’s first trade monograph, presents new and recent works, including a body of work presented in his 2022–3 solo exhibition at Timothy Taylor, London, Bourgeoisie in Bloom. Here Titus expands on the themes of ritual, class and nostalgia that have characterised previous work, incorporating debutante balls in which young adults are presented to society. Favouring bright panels of colour, Titus evokes traditions of cultural formality, using precise brushwork to delineate details of old-world glamour such as the tilt of a bow tie and the line of a ballgown.\n\nA foreword by artist Henry Taylor considers his first encounters with Titus’s work and their continuing friendship. Taylor describes the biographical factors that inform the subjects Titus paints, including music, referencing the first solo show of the artist’s work held at Henry Taylor Gallery in Chinatown, 2020. A text by Durga Chew-Bose brings the themes of nostalgia and memory into the field of discussion. Anecdotes relayed to Chew-Bose bring forward real experiences in relation with his work. The artist’s own words illuminate filmic, musical, photographic and romantic influences on the paintings, while dwelling, lastly, upon his studio space. Klaus Ottmann’s text reflects philosophically and sociologically on Titus’s oeuvre, bringing key art historical reference points into the discussion. Ottmann’s contribution draws connections to key works of literature and criticism that contextualise his work.\n\nPublished following the exhibition Honor Titus: Bourgeoisie in Bloom at Timothy Taylor, London, 17 November 2022 – 14 January 2023, the publication has been edited by Chloe Waddington, designed by Joe Gilmore, and co-published in 2023 by Timothy Taylor and Anomie Publishing, London.\n\nHonor Titus (b. 1989, Brooklyn, NY) is a self-taught American artist who lives and works in Los Angeles, California. Recent solo exhibitions include Honor Titus: Bourgeoisie in Bloom, Timothy Taylor, London, United Kingdom (2022–3); Spotlight: Honor Titus, The FLAG Art Foundation, New York, NY (2022); Honor Titus: For Heaven’s Sake, Timothy Taylor, New York, NY (2021) and Honor Titus: Goodness Gracious, Studio Henry Taylor, Los Angeles, CA (2020). His work has been part of numerous group exhibitions, including IRL (In...

[] Change Of Season By Holly Taylor 6863-23

Il collezionismo ha una storia antica. Affonda le sue radici per lo meno nell'Egitto dei Faraoni. E proprio in Egitto, con l'impresa napoleonica e la costruzione di uno stretto legame tra scoperte archeologiche, politiche statali e fondazioni museali che il volume si conclude. Archetipo dell'accumulazione di beni, maschera di velleità masturbatorie, estetica un po' morbosa dei potenti, il collezionismo passò nel corso dei secoli dalla wuderkammer, dalle collezioni di meraviglie che accumulavano tesori e rarità di ogni tipo, alle raccolte tematiche razionali, utilizzate non più come trastullo dei signori, ma come strumento educativo per la collettività.

Il collezionismo ha una storia antica. Affonda le sue radici per lo meno nell'Egitto dei Faraoni. E proprio in Egitto, con l'impresa napoleonica e la costruzione di uno stretto legame tra scoperte archeologiche, politiche statali e fondazioni museali che il volume si conclude. Archetipo dell'accumulazione di beni, maschera di velleità masturbatorie, estetica un po' morbosa dei potenti, il collezionismo passò nel corso dei secoli dalla wuderkammer, dalle collezioni di meraviglie che accumulavano tesori e rarità di ogni tipo, alle raccolte tematiche razionali, utilizzate non più come trastullo dei signori, ma come strumento educativo per la collettività.

Another Superman has fallen. Across the multiverse, Kal-Els are being murdered. Val-Zod, the Superman of Earth-2, believes only one man can help stop the killing Kal-El's son, Jon Kent! Jon will have to step across dimensions and face the killer of the Kal-Els, the monstrous Ultraman, the man who kidnapped and tortured him for years. And Val-Zod is not acting alone to save the Supermen. Who is the mysterious woman alongside him? And what is her shocking connection to the Super family? Collects Adventures of Superman: Jon Kent #1-6!

Another Superman has fallen. Across the multiverse, Kal-Els are being murdered. Val-Zod, the Superman of Earth-2, believes only one man can help stop the killing Kal-El's son, Jon Kent! Jon will have to step across dimensions and face the killer of the Kal-Els, the monstrous Ultraman, the man who kidnapped and tortured him for years. And Val-Zod is not acting alone to save the Supermen. Who is the mysterious woman alongside him? And what is her shocking connection to the Super family? Collects Adventures of Superman: Jon Kent #1-6!

Exam Board: Edexcel\n\n Level: GCSE\n\n Subject: History\n\n First teaching: September 2016\n\n First exams: Summer 2018\n\n \n\n Series Editor: Angela Leonard\n\n \nThis Student Book: \n\n \n\ncovers the essential content in the new specification in an engaging way, using detailed narrative, sources, timelines, key words, helpful activities and extension material \nuses the 'Thinking Historically' approach and activities to help develop conceptual understanding of areas such as evidence, interpretations, causation and change, through targeted activities \nhas 'Writing Historically' features that focus on the writing skills most important to historical success. This literacy support uses the proven Grammar for Writing approach used in many English departments \nincludes lots of exam guidance, with practice questions, sources, sample answers and tips to support preparation for GCSE assessments. \n\n * These resources have not yet been endorsed. This information is correct as of 31st July 2015, but may be subject to change. You do not have to purchase any resources to deliver our qualification.

Exam Board: Edexcel\n\n Level: GCSE\n\n Subject: History\n\n First teaching: September 2016\n\n First exams: Summer 2018\n\n \n\n Series Editor: Angela Leonard\n\n \nThis Student Book: \n\n \n\ncovers the essential content in the new specification in an engaging way, using detailed narrative, sources, timelines, key words, helpful activities and extension material \nuses the 'Thinking Historically' approach and activities to help develop conceptual understanding of areas such as evidence, interpretations, causation and change, through targeted activities \nhas 'Writing Historically' features that focus on the writing skills most important to historical success. This literacy support uses the proven Grammar for Writing approach used in many English departments \nincludes lots of exam guidance, with practice questions, sources, sample answers and tips to support preparation for GCSE assessments. \n\n * These resources have not yet been endorsed. This information is correct as of 31st July 2015, but may be subject to change. You do not have to purchase any resources to deliver our qualification.

Taylor Swift Calendario Pianoforte, 2024 Con Fogli Musicali Giocattolo Pianoforte Strumento Musicale

At turns hilarious and wise, another knockout from the champ Taylor Jenkins Reid, DAISY JONES AND THE SIX\n'One of my favourite authors' Colleen Hoover, IT ENDS WITH US\n'Smart, sunny, sexy and also a gorgeous story of female friendship' Beth O'Leary, THE FLATSHARE\n\n-----\n\nTwo exes. One pact.\nCould this holiday change everything?\n\nHarriet and Wyn are the perfect couple - they go together like bread and butter, gin and tonic, Blake Lively and Ryan Reynolds.\n\nEvery year, they take a holiday from their lives to drink far too much wine with their favourite people in the world.\n\nExcept this year, they are lying through their teeth, because Harriet and Wyn broke up six months ago. And they still haven't told anyone.\n\nBut the cottage is for sale so this is the last time they'll all be here together. They can't bear to break their best friends' hearts so they'll fake it for one more week.\n\nBut how can you pretend to be in love - and get away with it - in front of the people who know you best?\n\nBrimming with characters you can't help but fall for and off-the-charts chemistry, HAPPY PLACE is Emily Henry doing what she does best! \n\n-----\n\n\n'The master of witty repartee' Daily Mail\n\n'A heart-tugging tale that captures the importance of found family, the pain of growing apart from those we love, and the triumph of finding them-and ourselves-once again' Ali Hazelwood, THE LOVE HYPOTHESIS\n\n'One of the current stars of romantic fiction' Independent\n\n'Heartfelt and hilarious. This book is my happy place!' Lucy Score, THINGS WE NEVER GOT OVER\n\n'Sizzling ... delicious screwball scene-setting and zingy dialogue' Sunday Times\n\n'Another Emily Henry masterpiece' Hannah Grace, ICEBREAKER\n\n'If I could climb inside any book it would be this one' Culturefly\n\n'Emily Henry's books should be prescribed. Not only will they make you happy, her latest may just make you fall in love with falling in love again. Absolutely dreamy' Woman's Weekly\n\n'The closest thing to going on holiday without leaving your sofa' Beth O'Leary, THE FLATSHARE\n\n'Everything I love in a book. From witty banter to charming characters, Emily Henry gripped me from the very first page' Lauren Asher, THE FINE PRINT\n\n'Tender and sexy, bittersweet with Henry's trademark warmth, this is a book that sweeps you off your feet and envelopes you with love in its many facets - it feels like hanging out with your best friends' Bolu Babalola, HONEY & SPICE\n\n'Emily Henry tenderly portrays the importance of finding the places and people you call home' Taylor Jenkins Reid, DAISY JONES AND THE SIX

At turns hilarious and wise, another knockout from the champ Taylor Jenkins Reid, DAISY JONES AND THE SIX\r\n'One of my favourite authors' Colleen Hoover, IT ENDS WITH US\r\n'Smart, sunny, sexy and also a gorgeous story of female friendship' Beth O'Leary, THE FLATSHARE\r\n\r\n-----\r\n\r\nTwo exes. One pact.\r\nCould this holiday change everything?\r\n\r\nHarriet and Wyn are the perfect couple - they go together like bread and butter, gin and tonic, Blake Lively and Ryan Reynolds.\r\n\r\nEvery year, they take a holiday from their lives to drink far too much wine with their favourite people in the world.\r\n\r\nExcept this year, they are lying through their teeth, because Harriet and Wyn broke up six months ago. And they still haven't told anyone.\r\n\r\nBut the cottage is for sale so this is the last time they'll all be here together. They can't bear to break their best friends' hearts so they'll fake it for one more week.\r\n\r\nBut how can you pretend to be in love - and get away with it - in front of the people who know you best?\r\n\r\nBrimming with characters you can't help but fall for and off-the-charts chemistry, HAPPY PLACE is Emily Henry doing what she does best! \r\n\r\n-----\r\n\r\n\r\n'The master of witty repartee' Daily Mail\r\n\r\n'A heart-tugging tale that captures the importance of found family, the pain of growing apart from those we love, and the triumph of finding them-and ourselves-once again' Ali Hazelwood, THE LOVE HYPOTHESIS\r\n\r\n'One of the current stars of romantic fiction' Independent\r\n\r\n'Heartfelt and hilarious. This book is my happy place!' Lucy Score, THINGS WE NEVER GOT OVER\r\n\r\n'Another Emily Henry masterpiece' Hannah Grace, ICEBREAKER\r\n\r\n'If I could climb inside any book it would be this one' Culturefly\r\n\r\n'Emily Henry's books should be prescribed. Not only will they make you happy, her latest may just make you fall in love with falling in love again. Absolutely dreamy' Woman's Weekly\r\n\r\n'The closest thing to going on holiday without leaving your sofa' Beth O'Leary, THE FLATSHARE\r\n\r\n'Everything I love in a book. From witty banter to charming characters, Emily Henry gripped me from the very first page' Lauren Asher, THE FINE PRINT\r\n\r\n'Tender and sexy, bittersweet with Henry's trademark warmth, this is a book that sweeps you off your feet and envelopes you with love in its many facets - it feels like hanging out with your best friends' Bolu Babalola, HONEY & SPICE\r\n\r\n'Emily Henry tenderly portrays the importance of finding the places and people you call home' Taylor Jenkins Reid, DAISY JONES AND THE SIX

FROM THE SUNDAY TIMES BESTSELLING AUTHOR & GLOBAL TIK TOK SENSATION, EMILY HENRY\n\n'One of my favourite authors' COLLEEN HOOVER, It Ends With Us\n‘Emily knows how to craft a love story like the all-time greats’ TAYLOR JENKINS REID, Daisy Jones and The Six\n\n-----\n\nDaphne always loved the way Peter told their story.\n\nThat is until it became the prologue to his actual love story with his childhood bestie, Petra.\n\nWhich is how Daphne ends up rooming with her total opposite and the only person who could possibly understand her predicament: Petra's ex, Miles.\n\nAs expected, it’s not a match made in heaven – that is until one night, while tossing back tequilas, they form a plan.\n\nAnd if it involves posting deliberately misleading photos of their adventures together, well, who could blame them?\n\nBut it’s all just for show, of course, because there’s no way Daphne would actually start her new chapter by falling in love with her ex-fiancé’s new fiancée’s ex . . . right?\n\nA shimmering, joyful new novel about a pair of opposites with the wrong thing in common, from #1 New York Times and Sunday Times bestselling author Emily Henry\n\n-----\n\nPRAISE FOR EMILY HENRY\n\n'The master of witty repartee' Daily Mail\n\n'I've loved every single one of her books more than the previous' Ali Hazelwood, The Love Hypothesis\n\n'The book that you just know all the girls are going to be reading by the side of the pool this summer... ' The Mirror\n\n'My newest automatic-buy author' Jodi Picoult, Wish You Were Here\n\n'This book is an utter delight' Prima\n\n'Emily Henry has become one of my favourite authors' Beth O'Leary, The Flatshare\n\n'Emily Henry's books are a gift, the perfect balance between steamy and sweet' V. E Schwab, Gallant\n\n'A joyful and cathartic romcom that is truly the funniest of stories' The Skinny\n\n'Nobody does it quite like Emily Henry' Casey McQuiston, Red, White and Royal Blue\n\n'The queen of rom-coms is back' Refinery29\n\n'Our generation's answer to Nora Ephron' Sophie Cousens, This Time Next Year\n\n'As a storyteller, Henry is in a class of her own' Elle Kennedy, The Deal

'At turns hilarious and wise, another knockout from the champ' Taylor Jenkins Reid, DAISY JONES AND THE SIX\n'One of my favourite authors' Colleen Hoover, IT ENDS WITH US\n'Smart, sunny, sexy and also a gorgeous story of female friendship' Beth O'Leary, THE FLATSHARE\n\n-----\n\nTwo exes. One pact.\nCould this holiday change everything?\n\nHarriet and Wyn are the perfect couple - they go together like bread and butter, gin and tonic, Blake Lively and Ryan Reynolds.\n\nEvery year, they take a holiday from their lives to drink far too much wine with their favourite people in the world.\n\nExcept this year, they are lying through their teeth, because Harriet and Wyn broke up six months ago. And they still haven't told anyone.\n\nBut the cottage is for sale so this is the last time they'll all be here together. They can't bear to break their best friends' hearts so they'll fake it for one more week.\n\nBut how can you pretend to be in love - and get away with it - in front of the people who know you best?\n\nBrimming with characters you can't help but fall for and off-the-charts chemistry, HAPPY PLACE is Emily Henry doing what she does best! \n\n-----\n\n\n'The master of witty repartee' Daily Mail\n\n'A heart-tugging tale that captures the importance of found family, the pain of growing apart from those we love, and the triumph of finding them-and ourselves-once again' Ali Hazelwood, THE LOVE HYPOTHESIS\n\n'One of the current stars of romantic fiction' Independent\n\n'Heartfelt and hilarious. This book is my happy place!' Lucy Score, THINGS WE NEVER GOT OVER\n\n'Sizzling ... delicious screwball scene-setting and zingy dialogue' Sunday Times\n\n'Another Emily Henry masterpiece' Hannah Grace, ICEBREAKER\n\n'If I could climb inside any book it would be this one' Culturefly\n\n'Emily Henry's books should be prescribed. Not only will they make you happy, her latest may just make you fall in love with falling in love again. Absolutely dreamy' Woman's Weekly\n\n'The closest thing to going on holiday without leaving your sofa' Beth O'Leary, THE FLATSHARE\n\n'Everything I love in a book. From witty banter to charming characters, Emily Henry gripped me from the very first page' Lauren Asher, THE FINE PRINT\n\n'Tender and sexy, bittersweet with Henry's trademark warmth, this is a book that sweeps you off your feet and envelopes you with love in its many facets - it feels like hanging out with your best friends' Bolu Babalola, HONEY & SPICE\n\n'Emily Henry tenderly portrays the importance of finding the places and people you call home' Taylor Jenkins Reid, DAISY JONES AND THE SIX

WITH AN INTRODUCTION BY D. J. TAYLOR\n\nThese three brilliant novels span Henry Green's career as a novelist and display his unique talents as a writer. Nothing is a tale of the merry-go-round of love, marriage and infidelity, and the ceaseless tussle of innocence versus experience. Doting sets the middle-aged male infatuation for pretty girls against the comfortable affection of wives and old friends, delving into the complications of burgeoning affairs and boring marriages. In Blindness, Green's first novel, a young man is blinded in a senseless accident but thereafter discovers new imaginative powers.

One holiday. Two rivals. A plot twist they didn't see coming...\n\n--------\n\n'Her best yet' Taylor Jenkins Reid, Malibu Rising\n'One of my favourite authors' Colleen Hoover, It Ends With Us\n'Magical, delightful, and utterly one of a kind' Ali Hazelwood, The Love Hypothesis\n\nNora is a cut-throat literary agent at the top of her game. Her whole life is books.\n\nCharlie is an editor with a gift for creating bestsellers. And he's Nora's work nemesis.\n\nNora has been through enough break-ups to know she's the one men date before finding their happy-ever-after. To prevent another dating dud, Nora's sister has persuaded her to swap her city desk for a month's holiday in Sunshine Falls.\n\nIt's a small town straight out of a romance novel, but instead of meeting sexy lumberjacks, handsome doctors or cute bartenders, Nora keeps bumping into...Charlie.\n\nShe's no heroine. He's no hero. So can they take a page out of an entirely different book?\n\nBrimming with witty banter, characters you can't help but fall for and off-the-charts chemistry, BOOK LOVERS is Emily Henry's best novel yet.\n\n--------\n\n'Emily Henry's books are a gift, the perfect balance between steamy and sweet' V. E Schwab, Gallant\n\n'So smart, so funny, so sexy' Beth O'Leary, The No-Show\n\n'Emily Henry has another hit on her hands' Sophie Cousens, Just Haven't Met You Yet\n\n'A thoroughly modern yet classic romance' Sunday Times\n\n'Heartfelt, funny, and full of joy. (Also, three cheers for Nora's super-relatable bangs journey!)' Tia Williams, Seven Days in June\n\n'The master of witty repartee' Daily Mail\n\n'Super fun, sassy, smart, sexy... Emily Henry is now an auto-buy author for me' Red Magazine\n\n'Book Lovers is Schitt's Creek for book nerds' Casey Mcquiston, One Last Stop\n\n'The most phenomenal portrayal of enemies to lovers I have ever read. . .' Laura Jane Williams, Our Stop

WITH AN INTRODUCTION BY D. J. TAYLOR\n\nThese three brilliant novels span Henry Green's career as a novelist and display his unique talents as a writer. Nothing is a tale of the merry-go-round of love, marriage and infidelity, and the ceaseless tussle of innocence versus experience. Doting sets the middle-aged male infatuation for pretty girls against the comfortable affection of wives and old friends, delving into the complications of burgeoning affairs and boring marriages. In Blindness, Green's first novel, a young man is blinded in a senseless accident but thereafter discovers new imaginative powers.

FROM THE SUNDAY TIMES BESTSELLING AUTHOR & GLOBAL TIK TOK SENSATION, EMILY HENRY\n\n'One of my favourite authors' COLLEEN HOOVER, It Ends With Us\n‘Emily knows how to craft a love story like the all-time greats’ TAYLOR JENKINS REID, Daisy Jones and The Six\n\n-----\n\nDaphne always loved the way Peter told their story.\n\nThat is until it became the prologue to his actual love story with his childhood bestie, Petra.\n\nWhich is how Daphne ends up rooming with her total opposite and the only person who could possibly understand her predicament: Petra's ex, Miles.\n\nAs expected, it’s not a match made in heaven – that is until one night, while tossing back tequilas, they form a plan.\n\nAnd if it involves posting deliberately misleading photos of their adventures together, well, who could blame them?\n\nBut it’s all just for show, of course, because there’s no way Daphne would actually start her new chapter by falling in love with her ex-fiancé’s new fiancée’s ex . . . right?\n\nA shimmering, joyful new novel about a pair of opposites with the wrong thing in common, from #1 New York Times and Sunday Times bestselling author Emily Henry\n\n-----\n\nPRAISE FOR EMILY HENRY\n\n'The master of witty repartee' Daily Mail\n\n'I've loved every single one of her books more than the previous' Ali Hazelwood, The Love Hypothesis\n\n'The book that you just know all the girls are going to be reading by the side of the pool this summer... ' The Mirror\n\n'My newest automatic-buy author' Jodi Picoult, Wish You Were Here\n\n'This book is an utter delight' Prima\n\n'Emily Henry has become one of my favourite authors' Beth O'Leary, The Flatshare\n\n'Emily Henry's books are a gift, the perfect balance between steamy and sweet' V. E Schwab, Gallant\n\n'A joyful and cathartic romcom that is truly the funniest of stories' The Skinny\n\n'Nobody does it quite like Emily Henry' Casey McQuiston, Red, White and Royal Blue\n\n'The queen of rom-coms is back' Refinery29\n\n'Our generation's answer to Nora Ephron' Sophie Cousens, This Time Next Year\n\n'As a storyteller, Henry is in a class of her own' Elle Kennedy, The Deal

'At turns hilarious and wise, another knockout from the champ' Taylor Jenkins Reid, DAISY JONES AND THE SIX\r\n'One of my favourite authors' Colleen Hoover, IT ENDS WITH US\r\n'Smart, sunny, sexy and also a gorgeous story of female friendship' Beth O'Leary, THE FLATSHARE\r\n\r\n-----\r\n\r\nTwo exes. One pact.\r\nCould this holiday change everything?\r\n\r\nHarriet and Wyn are the perfect couple - they go together like bread and butter, gin and tonic, Blake Lively and Ryan Reynolds.\r\n\r\nEvery year, they take a holiday from their lives to drink far too much wine with their favourite people in the world.\r\n\r\nExcept this year, they are lying through their teeth, because Harriet and Wyn broke up six months ago. And they still haven't told anyone.\r\n\r\nBut the cottage is for sale so this is the last time they'll all be here together. They can't bear to break their best friends' hearts so they'll fake it for one more week.\r\n\r\nBut how can you pretend to be in love - and get away with it - in front of the people who know you best?\r\n\r\nBrimming with characters you can't help but fall for and off-the-charts chemistry, HAPPY PLACE is Emily Henry doing what she does best! \r\n\r\n-----\r\n\r\n\r\n'The master of witty repartee' Daily Mail\r\n\r\n'A heart-tugging tale that captures the importance of found family, the pain of growing apart from those we love, and the triumph of finding them-and ourselves-once again' Ali Hazelwood, THE LOVE HYPOTHESIS\r\n\r\n'One of the current stars of romantic fiction' Independent\r\n\r\n'Heartfelt and hilarious. This book is my happy place!' Lucy Score, THINGS WE NEVER GOT OVER\r\n\r\n'Another Emily Henry masterpiece' Hannah Grace, ICEBREAKER\r\n\r\n'If I could climb inside any book it would be this one' Culturefly\r\n\r\n'Emily Henry's books should be prescribed. Not only will they make you happy, her latest may just make you fall in love with falling in love again. Absolutely dreamy' Woman's Weekly\r\n\r\n'The closest thing to going on holiday without leaving your sofa' Beth O'Leary, THE FLATSHARE\r\n\r\n'Everything I love in a book. From witty banter to charming characters, Emily Henry gripped me from the very first page' Lauren Asher, THE FINE PRINT\r\n\r\n'Tender and sexy, bittersweet with Henry's trademark warmth, this is a book that sweeps you off your feet and envelopes you with love in its many facets - it feels like hanging out with your best friends' Bolu Babalola, HONEY & SPICE\r\n\r\n'Emily Henry tenderly portrays the importance of finding the places and people you call home' Taylor Jenkins Reid, DAISY JONES AND THE SIX

One holiday. Two rivals. A plot twist they didn't see coming...\n\n--------\n\n'Her best yet' Taylor Jenkins Reid, Malibu Rising\n'One of my favourite authors' Colleen Hoover, It Ends With Us\n'Magical, delightful, and utterly one of a kind' Ali Hazelwood, The Love Hypothesis\n\nNora is a cut-throat literary agent at the top of her game. Her whole life is books.\n\nCharlie is an editor with a gift for creating bestsellers. And he's Nora's work nemesis.\n\nNora has been through enough break-ups to know she's the one men date before finding their happy-ever-after. To prevent another dating dud, Nora's sister has persuaded her to swap her city desk for a month's holiday in Sunshine Falls.\n\nIt's a small town straight out of a romance novel, but instead of meeting sexy lumberjacks, handsome doctors or cute bartenders, Nora keeps bumping into...Charlie.\n\nShe's no heroine. He's no hero. So can they take a page out of an entirely different book?\n\nBrimming with witty banter, characters you can't help but fall for and off-the-charts chemistry, BOOK LOVERS is Emily Henry's best novel yet.\n\n--------\n\n'Emily Henry's books are a gift, the perfect balance between steamy and sweet' V. E Schwab, Gallant\n\n'So smart, so funny, so sexy' Beth O'Leary, The No-Show\n\n'Emily Henry has another hit on her hands' Sophie Cousens, Just Haven't Met You Yet\n\n'A thoroughly modern yet classic romance' Sunday Times\n\n'Heartfelt, funny, and full of joy. (Also, three cheers for Nora's super-relatable bangs journey!)' Tia Williams, Seven Days in June\n\n'The master of witty repartee' Daily Mail\n\n'Super fun, sassy, smart, sexy... Emily Henry is now an auto-buy author for me' Red Magazine\n\n'Book Lovers is Schitt's Creek for book nerds' Casey Mcquiston, One Last Stop\n\n'The most phenomenal portrayal of enemies to lovers I have ever read. . .' Laura Jane Williams, Our Stop

From the bestselling author of MALIBU RISING, DAISY JONES & THE SIX and THE SEVEN HUSBANDS OF EVELYN HUGO\n\n'It made me cry twice, and when I finished reading, I had to sit for a minute with the hole it left in my chest . . . just order it' EMILY HENRY\n\n'A crowd-pleaser. Taylor Jenkins Reid captures all the sweat, rivalry and glamour of elite sport' THE TIMES\n\n'Jenkins Reid has written yet another page turner . . . [it] will have you hooked' INDEPENDENT\n\nCarrie Soto is the greatest player the world has ever seen.\n\nBut six years after her last match, she watches a young British tennis player steal her world record - and Carrie knows she has to go back and reclaim her rightful place at the top. Even if the world doesn't believe in her. Even if it almost breaks her.\n\nThis is a story about the cost of greatness and the burden of fame.\n\nThe fight for a place in history is about to begin . . .\n\n'It artfully combines the heady glamour of elite sport with questions about what happens when we find ourselves winning professionally, but losing personally' STYLIST\n\n'A portrait of female ambition in all its raw and divine glory, Carrie Soto will stay with you long after the last page is turned' ERIN KELLY

Crime and Punishment in Tudor England tells the story of the enactment of law and its penalties from Henry VII to Elizabeth I. The sixteenth century was remarkable in many ways. In England, it was the century of the Tudor Dynasty. It heralded the Reformation, William Shakespeare, the first appearance of bottled beer in London pubs, Sir Francis Drake, and the Renaissance. Oh, and the Spanish Armadas-all five of them! Yes, five armadas and all failures.\n\nIt was a watershed century for crime and punishment. Henry VII's paranoia about the loyalty of the nobility led to military-trained vagrants causing mayhem and murder. Henry VIII's Reformation meant executions of those refusing to take the Oath of Supremacy. State-controlled religion-summed up through the five reigns as Roman Catholic; Anglo-Catholic; Protestant; Roman Catholic, and Sort of Protestant but I don't mind so long as you swear the Oath of Supremacy-became an increasingly complex, not to say confusing, issue for ordinary people.\n\nAlthough primary sources are rare and sometimes incomplete, the life of criminals and the punishments meted out to them still fascinates. Read about John Daniell and how he tried to blackmail the Earl of Essex; the Stafford insurrection of 1486, the first serious opposition to the new king; the activities of con-man extraordinaire, Gregory Wisdom, and many more.\n\nCrime and punishment didn't start with the Tudors and this book summarises judicial practices built on tradition from the Roman occupation. It covers often gory details-what happens to the body when it is beheaded, burned, boiled, or hanged? Arranged in alphabetical order of crimes, it recounts tales of blackmail, infanticide, kidnapping, heresy, and sumptuary laws.\n\nTold with occasional low-key humour, the book also includes Tavern Talk, snippets of quirky information. Dip into it at your pleasure.

Rolls-Royce is one of Britain's legendary car brands, representing the pinnacle of engineering quality and luxury like no other manufacturer. Since 1904, when Charles Stewart Rolls and Frederick Henry Royce began their collaboration, the Rolls-Royce name has earned respect and admiration the world over.\n\n This is the full story of Britain's premier luxury car-maker, from the early experimental models through the 40/50 Silver Ghost, the Twenty, the Phantoms, the Wraiths and their post-1945 successors, with evocative names such as Silver Shadow and Silver Seraph. It celebrates more than 110 years of car manufacture under the Rolls-Royce brand, revealing how careful management and simple dedication have ensured that the Rolls-Royce name remains a byword for the best of the best.

From the bestselling author of MALIBU RISING, DAISY JONES & THE SIX and THE SEVEN HUSBANDS OF EVELYN HUGO\n\n'It made me cry twice, and when I finished reading, I had to sit for a minute with the hole it left in my chest . . . just order it' EMILY HENRY\n\n'A crowd-pleaser. Taylor Jenkins Reid captures all the sweat, rivalry and glamour of elite sport' THE TIMES\n\n'Jenkins Reid has written yet another page turner . . . [it] will have you hooked' INDEPENDENT\n\nCarrie Soto is the greatest player the world has ever seen.\n\nBut six years after her last match, she watches a young British tennis player steal her world record - and Carrie knows she has to go back and reclaim her rightful place at the top. Even if the world doesn't believe in her. Even if it almost breaks her.\n\nThis is a story about the cost of greatness and the burden of fame.\n\nThe fight for a place in history is about to begin . . .\n\n'It artfully combines the heady glamour of elite sport with questions about what happens when we find ourselves winning professionally, but losing personally' STYLIST\n\n'A portrait of female ambition in all its raw and divine glory, Carrie Soto will stay with you long after the last page is turned' ERIN KELLY

Rolls-Royce is one of Britain's legendary car brands, representing the pinnacle of engineering quality and luxury like no other manufacturer. Since 1904, when Charles Stewart Rolls and Frederick Henry Royce began their collaboration, the Rolls-Royce name has earned respect and admiration the world over.\n\n This is the full story of Britain's premier luxury car-maker, from the early experimental models through the 40/50 Silver Ghost, the Twenty, the Phantoms, the Wraiths and their post-1945 successors, with evocative names such as Silver Shadow and Silver Seraph. It celebrates more than 110 years of car manufacture under the Rolls-Royce brand, revealing how careful management and simple dedication have ensured that the Rolls-Royce name remains a byword for the best of the best.

Vauxhall cars have been central to motoring in Britain for over a century. The company built a formidable reputation in its early years with notable machines like the Prince Henry, the 30/98 and the 1914 Grand Prix cars, and then moved into a more mainstream area of the market, remaining in the forefront of innovation during the 1930s.\n \nThe post-1945 years saw the company as one of the foremost in Britain, catering for family needs with cars like the Velox, the Cresta, and the Victor, and then building the highly successful Viva range of smaller models. Closely aligned with its German cousin, Opel, Vauxhall relied increasingly on Opel's designs after the mid-1970s. Astra, Cavalier, Nova and Carlton were among the best-loved cars of their era, and no-one can forget the giant-killing 176mph Lotus Carlton. \n \nThis illustrated introduction explores the history of Vauxhall cars from its beginning in 1903 to the city cars and SUVs that have led the Vauxhall product lines, as the company continues to excel in the twenty-first century.

The ultimate escapist rom com for book and beach lovers! Perfect for fans of Emily Henry and Josie Silver.\n\nWhen romance-fanatic Candice meets writer Alexis, she thinks her happy ending is finally on its way. He walks into her struggling Cornish surf school, and they hit it off straight away. Until she discovers that Alexis has been using their courtship as inspiration for the romantic novel he's struggling to write.\n\nWhen Alexis offers to bring her in on the deal if Candice helps him deliver a winning book to his publisher, she accepts, and along with Alexis' agent Daniel, they embark on a very unusual summer of love, as Candice tries to teach the men the recipe for a successful romance.\n\nBut you can't have a great love story without a great romantic hero. Will Candice find hers before the summer is over?

Vauxhall cars have been central to motoring in Britain for over a century. The company built a formidable reputation in its early years with notable machines like the Prince Henry, the 30/98 and the 1914 Grand Prix cars, and then moved into a more mainstream area of the market, remaining in the forefront of innovation during the 1930s.\n \nThe post-1945 years saw the company as one of the foremost in Britain, catering for family needs with cars like the Velox, the Cresta, and the Victor, and then building the highly successful Viva range of smaller models. Closely aligned with its German cousin, Opel, Vauxhall relied increasingly on Opel's designs after the mid-1970s. Astra, Cavalier, Nova and Carlton were among the best-loved cars of their era, and no-one can forget the giant-killing 176mph Lotus Carlton. \n \nThis illustrated introduction explores the history of Vauxhall cars from its beginning in 1903 to the city cars and SUVs that have led the Vauxhall product lines, as the company continues to excel in the twenty-first century.

The ultimate escapist rom com for book and beach lovers! Perfect for fans of Emily Henry and Josie Silver.\n\nWhen romance-fanatic Candice meets writer Alexis, she thinks her happy ending is finally on its way. He walks into her struggling Cornish surf school, and they hit it off straight away. Until she discovers that Alexis has been using their courtship as inspiration for the romantic novel he's struggling to write.\n\nWhen Alexis offers to bring her in on the deal if Candice helps him deliver a winning book to his publisher, she accepts, and along with Alexis' agent Daniel, they embark on a very unusual summer of love, as Candice tries to teach the men the recipe for a successful romance.\n\nBut you can't have a great love story without a great romantic hero. Will Candice find hers before the summer is over?

Crime and Punishment in Tudor England tells the story of the enactment of law and its penalties from Henry VII to Elizabeth I. The sixteenth century was remarkable in many ways. In England, it was the century of the Tudor Dynasty. It heralded the Reformation, William Shakespeare, the first appearance of bottled beer in London pubs, Sir Francis Drake, and the Renaissance. Oh, and the Spanish Armadas-all five of them! Yes, five armadas and all failures.\n\nIt was a watershed century for crime and punishment. Henry VII's paranoia about the loyalty of the nobility led to military-trained vagrants causing mayhem and murder. Henry VIII's Reformation meant executions of those refusing to take the Oath of Supremacy. State-controlled religion-summed up through the five reigns as Roman Catholic; Anglo-Catholic; Protestant; Roman Catholic, and Sort of Protestant but I don't mind so long as you swear the Oath of Supremacy-became an increasingly complex, not to say confusing, issue for ordinary people.\n\nAlthough primary sources are rare and sometimes incomplete, the life of criminals and the punishments meted out to them still fascinates. Read about John Daniell and how he tried to blackmail the Earl of Essex; the Stafford insurrection of 1486, the first serious opposition to the new king; the activities of con-man extraordinaire, Gregory Wisdom, and many more.\n\nCrime and punishment didn't start with the Tudors and this book summarises judicial practices built on tradition from the Roman occupation. It covers often gory details-what happens to the body when it is beheaded, burned, boiled, or hanged? Arranged in alphabetical order of crimes, it recounts tales of blackmail, infanticide, kidnapping, heresy, and sumptuary laws.\n\nTold with occasional low-key humour, the book also includes Tavern Talk, snippets of quirky information. Dip into it at your pleasure.

Spark Model 1/43 Lotus 18-21 N.30 Gp Di Francia 1961 Henry Taylor